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Cooperation of Nature and Physiologically Inspired Mechanisms in Visualisation

Copyright © 2012. 28 pages.
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DOI: 10.4018/978-1-4666-0942-6.ch003
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MLA

al-Rifaie, Mohammad Majid, Ahmed Aber and John Mark Bishop. "Cooperation of Nature and Physiologically Inspired Mechanisms in Visualisation." Biologically-Inspired Computing for the Arts: Scientific Data through Graphics. IGI Global, 2012. 31-58. Web. 18 May. 2013. doi:10.4018/978-1-4666-0942-6.ch003

APA

al-Rifaie, M. M., Aber, A., & Bishop, J. M. (2012). Cooperation of Nature and Physiologically Inspired Mechanisms in Visualisation. In A. Ursyn (Ed.), Biologically-Inspired Computing for the Arts: Scientific Data through Graphics (pp. 31-58). Hershey, PA: Information Science Reference. doi:10.4018/978-1-4666-0942-6.ch003

Chicago

al-Rifaie, Mohammad Majid, Ahmed Aber and John Mark Bishop. "Cooperation of Nature and Physiologically Inspired Mechanisms in Visualisation." In Biologically-Inspired Computing for the Arts: Scientific Data through Graphics, ed. Anna Ursyn, 31-58 (2012), accessed May 18, 2013. doi:10.4018/978-1-4666-0942-6.ch003

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Abstract

A novel approach of integrating two swarm intelligence algorithms is considered, one simulating the behaviour of birds flocking (Particle Swarm Optimisation) and the other one (Stochastic Diffusion Search) mimics the recruitment behaviour of one species of ants – Leptothorax acervorum. This hybrid algorithm is assisted by a biological mechanism inspired by the behaviour of blood flow and cells in blood vessels, where the concept of high and low blood pressure is utilised. The performance of the nature-inspired algorithms and the biologically inspired mechanisms in the hybrid algorithm is reflected through a cooperative attempt to make a drawing on the canvas. The scientific value of the marriage between the two swarm intelligence algorithms is currently being investigated thoroughly on many benchmarks, and the results reported suggest a promising prospect (al-Rifaie, Bishop & Blackwell, 2011). It may also be discussed whether or not the artworks generated by nature and biologically inspired algorithms can possibly be considered as computationally creative.
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Complete Chapter List

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1.
Rachel Zuanon (Anhembi Morumbi University, Brazil)
The bio-interfaces are widening the notions of complexity, affectiveness, and naturalness to an organic scale, in which the physiological information of the users ac... Sample PDF | More details...
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2.
Mark Stock (Independent artist, scientist, and programmer, USA)
While fluid flow is a ubiquitous phenomenon on both Earth’s surface and elsewhere in the cosmos, its existence, as a mathematical field quantity without discrete for... Sample PDF | More details...
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3.
Mohammad Majid al-Rifaie (Goldsmiths, University of London, UK), Ahmed Aber (The Royal Free Hospital, London, UK), John Mark Bishop (Goldsmiths, University of London, UK)
A novel approach of integrating two swarm intelligence algorithms is considered, one simulating the behaviour of birds flocking (Particle Swarm Optimisation) and the... Sample PDF | More details...
$37.50
4.
Kuai Shen Auson (Academy of Media Arts Cologne, Germany & Cologne Game Lab, Germany)
Ants represent a natural superorganism, an autopoietic machine, much like the human society. Nevertheless, the ant society stands out due to self-organization. Ants... Sample PDF | More details...
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5.
Hironori Yoshida (Carnegie Mellon University, USA)
The recent movement from mass production to mass customization enabled by digital fabrication has opened the door for new typologies in architecture and design. The... Sample PDF | More details...
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6.
Scott Hessels (City University, Hong Kong)
While nature has often inspired art, a subset of artists has given the natural world an even more influential role in the outcome of their work. These artists have h... Sample PDF | More details...
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7.
Seeing the Unseen (pages 105-124)
Eve Andrée Laramée (Maryland Institute College of Art, USA), Kalyan Chakravarthy Thokala (University of Akron, USA), Donna Webb (University of Akron, USA), Eunsu Kang (University of Akron, USA), Matthew Kolodziej (University of Akron, USA), Peter Niewiarowski (University of Akron, USA), Yingcai Xiao (University of Akron, USA)
The Synapse Group at the University of Akron was formed to explore enlightened collaborations between art and science, and to probe the ideas, images, and mutual int... Sample PDF | More details...
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8.
Cris Orfescu (NanoArt21, USA)
This chapter is an attempt to introduce NanoArt. It goes back in time to the first uses of nanomaterials and nanotechnologies to create art and continues with the be... Sample PDF | More details...
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9.
Wolfgang Schneider (Computerkunst/Computer Art, Germany)
It has been generally accepted in art history that nature ranks as master and ideal of the arts. Everybody knows examples of nature-related artworks created over cen... Sample PDF | More details...
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10.
Collin Hover (University of Texas at Arlington, USA)
This chapter explores the use of code, form, and interactivity in translating biological objects into mathematically generated digital environments. The existence of... Sample PDF | More details...
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11.
Anna Ursyn (University of Northern Colorado, USA)
This chapter is focused on creating the visual approach to natural processes, concepts, and events, rather than their description for learning. It has been designed... Sample PDF | More details...
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12.
Anna Ursyn (University of Northern Colorado, USA)
“Visual Tweet: nature inspired visual statements” explores connections between science, computing, and art in a similar way as it is done in the previous chapter, “L... Sample PDF | More details...
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13.
Jean Constant (Northern New Mexico College, USA)
This chapter describes the digitalization process of 19th century scientific representations from the Japanese culture – a set of mathematical problems etched on woo... Sample PDF | More details...
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14.
Hans Dehlinger (Universität Kassel, Germany)
Small, densely arranged elements in large numbers are frequently observed phenomena in nature. The author uses an arbitrarily chosen stretch of landscape, a dry rive... Sample PDF | More details...
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15.
Scottie Chih-Chieh Huang (Chung Hua University, Taiwan), Shen-Guan Shih (National Taiwan University of Science and Technology, Taiwan)
MSOrgm (Huang, 2009), SSOrgan, and LBSkeleton (Huang, 2011) were created to contain computation, aesthetic, and structural characteristics to employ physical kinetic... Sample PDF | More details...
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16.
A New Leaf (pages 278-288)
Liz Lee (State University of New York at Fredonia, USA)
The author and artist, Liz Lee discusses her latest digital image series, “A New Leaf Series,” within the context of early photographic imaging and its connection to... Sample PDF | More details...
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17.
Doug Craft (Doug Craft Fine Art, LLC, USA)
This chapter discusses how both art and science proceed from an appreciation for and application of the natural proportions and forms associated with nature. Brief d... Sample PDF | More details...
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18.
James Faure Walker (University of the Arts, London, UK)
The term bio art has emerged in the past few years to cover the kind of art that seems to come from the biology lab, with simulations of life forms through generativ... Sample PDF | More details...
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19.
Deborah Harty (Nottingham Trent University, UK)
In the context of contemporary fine art, the chapter discusses the translation (the finding of equivalences) of a phenomenological experience of water during the act... Sample PDF | More details...
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20.
Clayton S. Spada (Cypress College, USA), Victor Raphael (Independent artist, USA)
Art, science, and spirituality comprise a triumvirate of conceptual and process-oriented contexts founded on different philosophical tenets, but all serving to help... Sample PDF | More details...
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