Cut and Paste: Remixing Composition Pedagogy for Online Workspaces

Cut and Paste: Remixing Composition Pedagogy for Online Workspaces

John Logie (University of Minnesota, USA)
DOI: 10.4018/978-1-59140-521-4.ch014
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Abstract

This chapter posits a widening gap between workplace writing practices and traditional composition pedagogies. In particular, this chapter suggests that traditional composition pedagogies persist in foregrounding solitary, proprietary authors as model composers, despite the limited applicability of these models. The fields of technical and professional communication, by contrast, have long valued collaboration and modes of authorship that do not always imply the composer’s ownership of a given text. These fields’ biases are reinforced by the advent of digital media, and the Internet in particular. Digital technologies facilitate collaboration and promote a greater range of authorial stances than their print counterparts. The chapter concludes by offering pedagogical approaches directed at promoting composition pedagogies commensurate with the challenges faced by professional and technical writers working in digital composing spaces.

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