Integrating Culture with E-Learning Management System Design

Integrating Culture with E-Learning Management System Design

Ray Archee (University of Western Sydney, Australia) and Myra Gurney (University of Western Sydney, Australia)
DOI: 10.4018/978-1-4666-1885-5.ch008
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Abstract

Although it is a legal requirement of all organizations to permit sensorially, cognitively, and physically disabled persons equitable access to public website information, cultural factors are seldom considered as important in the design of online information content. But many tertiary institutions have a highly diverse, multicultural student body whose learning needs require special attention. Usually, instructors transform existing lectures and exercises, then adds links, and discussions to create Web-supported units, but without any real understanding of possible cultural artifacts or inherent limitations of their online interfaces. This study reports on the results of an action research study whereby students were asked to comment on their preferences for three uniquely different purpose-built WebCT pages which comprised near-identical content. The students showed a definite preference for a sparse, menu-driven webpages as opposed to a colorful, congested, all-in-one interface, or the bare-bones WebCT interface.
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Setting The Stage

Over the past decade, e-learning has increasingly become a standard way of supporting students within higher education and in some cases, the sole method of instruction (Lee & Nguyen, 2007). While not always as attractive as traditional face-to-face instruction, e-learning does suit those students who prefer to work and study. Significantly, as cash-strapped tertiary institutions seek to broaden their market overseas, e-learning is being used with an ever-increasing proportion of students who originate from non-English speaking cultures.

Concomitant financial pressure from diminishing University funding has also driven the search for more efficient methods of course delivery. Thus course management systems such as WebCT, Blackboard, TopClass and Moodle have been widely embraced to provide easy, user-friendly ways of providing online material for tertiary students. At the University of Western Sydney, the most recent figures on the coverage of WebCT, show that more than 93% of units taught have an e-learning presence, with 1,800 staff who have sites set up for the purposes of supporting teaching and learning and that 35,000 students access these sites for their coursework (Rankine, 2009). Additionally, a 2009 UWS publication notes that the university is unique in the size, range and diversity of its student population, with cultural diversity being one of the more notable differences between UWS and other Sydney-based tertiary institutions. According to Teaching@UWS 2009:

In 2007, the domestic student cohort background represented more than 160 countries. One third of these domestic students were born overseas. International students were drawn from more than 100 countries and represented 11% of the University’s total student population. Ten percent (10%) of the international students are studying offshore. (p. 7)

Adapting New Technologies for Multicultural Audiences

An unrecognized problem with using standardized methods of creating online materials is the issue of accessibility for a widely divergent student cohort – cultural accessibility being one of the most important. The evolution of the Web from a text-based medium to an interactive, multimedia platform has created the need to consider the audience of websites in more sophisticated and nuanced ways. The ability to include an increasing array of platforms such as Flash/Shockwave, video, sound and animation, have brought about both new potentials in web communication as well as new problems. Just as certain website designs may mitigate against users who are sensorially, cognitively or physically disabled (see Dey, 2002 for an accessibility audit of WebCT), websites may also varyingly attract or repulse some cultures more than others. Cultural accessibility is a website’s potential to attract, to be understood, or to be used by members of other cultures. According to Wurtz (2005)

Cross-cultural web design nowadays requires dealing with design issues that include culture-specific color connotations, preferences in layout, animation, sounds, and other effects that are characteristic of today’s generation of websites. (p. 2)

While intercultural communication has been the subject of hundreds of articles and books for decades, intercultural communication applied to online media has only recently begun to be studied. Further research on this phenomenon as applied to web use in an educational context, is only just beginning.

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