Narrative Development and Instructional Design

Narrative Development and Instructional Design

Douglas Williams (University of Louisiana at Lafayette, USA), Yuxin Ma (University of Louisiana at Lafayette, USA), Charles Richard (University of Louisiana at Lafayette, USA) and Louise Prejean (University of Louisiana at Lafayette, USA)
Copyright: © 2009 |Pages: 16
DOI: 10.4018/978-1-59904-808-6.ch070
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This chapter explores the challenge of balancing narrative development and instructional design in the creation of an electronic game-based learning environment. Narrative is a key factor in successful commercial games. The hero’s journey is explained and proposed as a model narrative structure for developing educational role-playing games and informing instructional design. Opportunities to embed various instructional strategies within the hero’s journey structure are presented.
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With annual proceeds that exceed the movie industry, the popularity of entertainment video games is stunning. In January 2007, Blizzard Entertainment announced that their massively multi-player online role-playing game (MMORPG), World of Warcraft, had more than 8 million subscribers (Blizzard Entertainment, 2007). The result has been a call by many, including the Federation of American Scientists (2006), to explore digital games as a viable approach for teaching in K-12 and higher education.

An increasing number of game-based learning environments are currently under development or have recently been released in which the learner is placed in virtual worlds and asked to engage in various tasks. For example, River City, for children ages 11-14, is a multi-player virtual environment emphasizing player tasks designed to develop higher order thinking skills and content knowledge in biology and ecology (Ketelhut, Dede, Clarke, & Nelson, 2006). Quest Atlantis, for children ages 9-12, immerses children in a virtual world with an emphasis on developing social responsibility (Barab, Thomas, Dodge, Carteaux, & Tuzun, 2005). PeaceMaker provides opportunities for a player to develop an understanding of the Israeli-Palestinian conflict through an engaging simulation (Impact Games, 2007). With this heightened interest in digital game-based learning, comes a need to explore methods and models for designing effective educational games.

One of the key issues in the design of electronic game-based learning environment involves aligning the requirements of multiple components of a game, such as narrative, gameplay, and instruction, to create a game that is both engaging from the narrative and gameplay perspectives and effective from the instructional design perspective. For many game genres, a compelling narrative context is essential to engage players fully and provide them with an appealing range of options and outcomes in creating their own stories. In developing electronic game-based learning environments, balancing the development of a compelling game narrative with instructional design needs can be challenging. There is little guidance in the literature on how to create stories that meet instructional goals and how to develop educational content in the context of stories. The purpose of this chapter is to share our own experience in aligning the demands of good interactive storytelling on the one hand with sound instructional design on the other, in the creation of a role-playing game for teaching life science and scientific inquiry for children ages 11-13. The implications for design outlined in this chapter will likely inform instructional designers of how narrative can be effectively utilized in educational game-based learning environments.

Key Terms in this Chapter

Interactive Narrative: Narrative in which the spectator is able to make choices that guide the outcomes.

Platformer: A genre of computer game where the player navigates among platforms while avoiding obstacles.

First-Person Shooter: A computer game genre where the player character has a first-person perspective.

Monomyth: A common story structure which underlies many of the world’s most compelling myths and legends.

Backstory: The history of events that preceeds the start of a narrative.

Unity of Opposites: A narrative devise whereby two characters desire to possess the same object.

Role-playing Game: A game where the player takes on the role of a character.

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