Anthropological research makes it possible to know the habits, customs, and history or culture of a particular group of people. There a neuroscientist can work as an objective or value-leiden, where they live, work, or perform certain tasks. In this chapter, the author shows that this strategy, meaning inserting digital precision in ethnographic work, is done through adaptation, which gives rise to rapid anthropology, which, based on the same principle, establishes a short time of immersion, then issues or opportunities that justify projects. In this case, can we work with this objectively or neutrally? The creative insights are sought, conceptually. This short chapter leans with Ubuntu philosophy, which tells that no one is alone. The combination of ethnographic design with ethnographic design allows us to gain more solid information about the analyzed contexts. Although working in the light of Bangladesh, in fact, the importance of this work is broad, and its appeal is global.
TopIntroduction And Background
This chapter aims at the ambivalence of this culture instead of the realization of the utopian vision of a participatory culture, underlying Ubuntu, I am because we are, an African philosopohy that has been naturalized since the mid-2000s due to the spread of social media by the digital practice forming this sense of community. Or it argues that by operating on the assumption of such ambivalence, it reconstructs the political of the documentary. The two aspects of this ambivalence revealed in works belonging to the practice of online compilation are as follows.
First, the Digitally constructed ethnographic compilation has the liberating potential of breaking down the boundary between media users and creators, as well as the lives of the subjects who access the network and create and distribute their images, and the networks that make it possible reveals that it is implied.
Second, the sociality exhibited by social media, including Facebook, YouTube, as one's own connectivity, actually embeds fragmentary personalization, and for this reason, online data compilation aims to create a collectiveness that reconnects the individualized voices and expressions of user videos.
The user-generated videos included in the Ethnographic compilation show genre and stylistic diversity that composes users as subjects of active self-presentation and content creation. The self-confessing and interpersonal connectivity that “requires only a webcam and basic communication skills, and facilitates feedback by speaking directly to the audience”.
To borrow the Ubuntu theme (Chigangaidze et al., 2022; Khan et al., 2022; Chowdhury et al., 2021) into the Digital method, we may show our expression, these are videos that exemplify the 'vaudeville aesthetic and people-centered', in which one's performance is displayed directly to the audience with a short duration and minimal settings. These images, we provide, is then no more objective, but subjective, value aided, and contributory. Which is such a kind of 'non spreadable engagement’ based on the circulation paradigm of the spirit of Ubuntu, I am because we are, not aligned with the essence of the existing or predominate social sciences. we rather concern with the community, who shape, share, reconstruct, and guide the digital media user content in ways that never existed.
We are based on a descriptive, qualitative and bibliographic study based on multiple fields, this chapter indicates that rapid anthropology, as a tool of projects, through brief and deep immersion. Contributes to the creation of ideas and the identification of real needs. Achieving more accurate solutions.
The increase in competitiveness, the rapid incorporation of new technologies and the inherent need for innovation and agility in design processes have taken design to a new level within organizations. According to Sanchez & Mahoney (1996), these transformations required organizations to adopt new strategies, having information and knowledge as their most valuable assets. Thus, design is no longer linked only to functional and aesthetic attributes, reaching a level of strategic action, capable of transforming mentality and organizational processes Del Giudice et al (2021). This new approach to design, entitled Design Management, was decisive for the advancement of the processes that are used to solve problems in organizations. In this sense, design methods need adaptations in order to meet the needs manifested in the globalized world Stoker, Garretsen & Lammers, 2022).