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What is Eternal Network

Handbook of Research on the Impact of Fandom in Society and Consumerism
Concept developed and named by the artists Robert Filliou and George Brecht in 1968 (in French as la Fête Permanente ); it subsequently became used as a signifier to acknowledge a global, interconnected community of artists in dialogue with one another first through the postal system.
Published in Chapter:
Fandom as an Art Form: Artists Who Adopt Fan Behavior as Representational and Political Strategies
Kirsten Fleur Olds (University of Tulsa, USA)
DOI: 10.4018/978-1-7998-1048-3.ch012
Abstract
This chapter examines the practice of fandom as an art form in and of itself, exploring the example of fan clubs and zines by artists in the international mail art scene (known as the Eternal Network) in the 1970s. Fandom as an artistic practice differs from fan art produced in admiration of celebrities. Instead, what this chapter argues is that the artists of the Eternal Network engaged in fan activities. The first part of the chapter explores the network and compares several of their practices to fan behavior, including the desire for social connectivity, cultivation of insiders, and semiotic productivity. The second part delves into fan clubs and their publications as representational devices, and considers the role of affective behavior, including humor and the power of naming, to create group identity. The last section examines fandom as a form to critique social, political, and economic systems, analyzing a publicly circulated mock presidential campaign. The chapter concludes by suggesting that artists deploy fandom as a strategy to imagine the worlds they want to inhabit.
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