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What is Facial Society

Virtual and Augmented Reality in Education, Art, and Museums
This term was coined by Thomas Macho. The face-to-face contact is transferred to the Internet–Facebook where the mass media subtract its body presence from the face, changing one of the fundamental habits of our perception that involves the need to recognize faces.
Published in Chapter:
Ubiquitous Self: From Self-Portrait to Selfie
Giorgio Cipolletta (University of Macerata, Italy)
Copyright: © 2020 |Pages: 23
DOI: 10.4018/978-1-7998-1796-3.ch006
Abstract
In 2013, the Oxford Dictionaries announced “selfie” as the word of the year. The dictionary defined it as “a photograph that one has taken of oneself, typically one taken with a smartphone or webcam and uploaded to a social media website.” Selfies are also a complex form of social interaction, an emerging aesthetics, thus having an irrevocable impact on self-portraiture. All visual culture revolves around the body and the body par excellence is the face. The 21st century portrait represents a kind of black mirror where we project ourselves into a kind of blindness. Mask and face are confused by an omnipresent multividuality in which the shield reveals itself and reveals other possible worlds. The face-mask melts in between Real and Virtual and the self becomes augmented.
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