An artists’ group founded in 1969 by Canadians Michael Morris, Vincent Trasov, and Gary Lee-Nova. They published an International Image Exchange Director in 1972, and maintained Image Request Lists, many of which were published in FILE magazine. The Morris/Trasov archive, which contains many documents related to Image Bank, resides at the Morris and Helen Belkin Art Gallery at University of British Columbia.
Published in Chapter:
Fandom as an Art Form: Artists Who Adopt Fan Behavior as Representational and Political Strategies
Kirsten Fleur Olds (University of Tulsa, USA)
Copyright: © 2020
|Pages: 24
DOI: 10.4018/978-1-7998-1048-3.ch012
Abstract
This chapter examines the practice of fandom as an art form in and of itself, exploring the example of fan clubs and zines by artists in the international mail art scene (known as the Eternal Network) in the 1970s. Fandom as an artistic practice differs from fan art produced in admiration of celebrities. Instead, what this chapter argues is that the artists of the Eternal Network engaged in fan activities. The first part of the chapter explores the network and compares several of their practices to fan behavior, including the desire for social connectivity, cultivation of insiders, and semiotic productivity. The second part delves into fan clubs and their publications as representational devices, and considers the role of affective behavior, including humor and the power of naming, to create group identity. The last section examines fandom as a form to critique social, political, and economic systems, analyzing a publicly circulated mock presidential campaign. The chapter concludes by suggesting that artists deploy fandom as a strategy to imagine the worlds they want to inhabit.