Search the World's Largest Database of Information Science & Technology Terms & Definitions
InfInfoScipedia LogoScipedia
A Free Service of IGI Global Publishing House
Below please find a list of definitions for the term that
you selected from multiple scholarly research resources.

What is Solid Perspective, or Relief-Perspective

Handbook of Research on Visual Computing and Emerging Geometrical Design Tools
Is the three-dimensional model that has undergone the perspective deformation. It is also known as a scenographic perspective and includes a variety of techniques to create a constructively three-dimensional effect in which the accelerated perspectival convergence is evident if compared to that which would occur naturally through visual perception. It builds a material space as background and extension of a real space whose fictitious depth refers to an ideal architectural, urban or scenographic space.
Published in Chapter:
The Relief-Perspectives of Bitonti and Borromini: Design and Representation of the Illusory Space
Giuseppe Amoruso (Politecnico di Milano, Italy)
DOI: 10.4018/978-1-5225-0029-2.ch018
Abstract
The research represents principles of projective-geometric design of illusory spaces and proposes a study about the relief-perspective which featured the applications of science and art to interior decoration and architectural spaces during the sixteenth and the seventeenth century. The research has analyzed a selection of figurative and built illusory spaces, going to deepen the formation of the concepts of perception and illusion. During Renaissance was given emphasis to projective methods, of which were investigated the principles of geometric and optical ones in the proportions and in the visualization of architectural works, and the use of projective system accelerating or slowing the effects of the natural perspective to modify certain environmental aspects, external and internal, to the built volumes. The research also compares two major applications, the relief-perspectives of Francesco Borromini and Giovanni Maria da Bitonto and their partnership in the design of the perspectival tabernacle in Bologna and in the perspectival gallery for the Spada palace in Rome.
Full Text Chapter Download: US $37.50 Add to Cart
eContent Pro Discount Banner
InfoSci OnDemandECP Editorial ServicesAGOSR