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What is Spanish Baroque, Altarpiece

Handbook of Research on Visual Computing and Emerging Geometrical Design Tools
Spanish Baroque architecture differs from its European counterparts because it evolved from the Renaissance architecture in a more artificial way than they did. Among its variants we can highlight the Churrigueresque style (by architect José de Churriguera), with the Solomonic columns that characterize that style. The Baroque altarpieces accompany this architecture, masking the Renaissance architectures and previous styles with its formal complexity in such a way that they appear Baroque.
Published in Chapter:
Geometry in the Architectural Design of Rafael Moneo
José Antonio Franco Taboada (Universidade da Coruña, Spain)
DOI: 10.4018/978-1-5225-0029-2.ch028
Abstract
In the architectural work of Rafael Moneo, winner of the Pritzker Architecture Prize in 1996, geometry is a fundamental element, as he has confirmed through his writings and the very reality of his work. This chapter contains an analysis of the geometric component of his work, through his writings and interviews, but also through the drawings and models of his works that are most paradigmatic or most representative of his architectural style. Also analyzed are the possible influences from other architects and important works from the history of architecture. The conclusion is that the geometric component underlying his works has its roots in Platonic thought and that for Moneo, architectural ideas have an ontological nature, transcending the imperfection inherent in nature and approaching the perfection of Platonic order.
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