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A Study on the Interface between Arts and Sciences: Neuroesthetics and Cognitive Neuroscience of Art

A Study on the Interface between Arts and Sciences: Neuroesthetics and Cognitive Neuroscience of Art

Alexandre Siqueira de Freitas
Copyright: © 2017 |Pages: 16
ISBN13: 9781522505105|ISBN10: 1522505105|EISBN13: 9781522505112
DOI: 10.4018/978-1-5225-0510-5.ch005
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MLA

Siqueira de Freitas, Alexandre. "A Study on the Interface between Arts and Sciences: Neuroesthetics and Cognitive Neuroscience of Art." Projective Processes and Neuroscience in Art and Design, edited by Rachel Zuanon, IGI Global, 2017, pp. 71-86. https://doi.org/10.4018/978-1-5225-0510-5.ch005

APA

Siqueira de Freitas, A. (2017). A Study on the Interface between Arts and Sciences: Neuroesthetics and Cognitive Neuroscience of Art. In R. Zuanon (Ed.), Projective Processes and Neuroscience in Art and Design (pp. 71-86). IGI Global. https://doi.org/10.4018/978-1-5225-0510-5.ch005

Chicago

Siqueira de Freitas, Alexandre. "A Study on the Interface between Arts and Sciences: Neuroesthetics and Cognitive Neuroscience of Art." In Projective Processes and Neuroscience in Art and Design, edited by Rachel Zuanon, 71-86. Hershey, PA: IGI Global, 2017. https://doi.org/10.4018/978-1-5225-0510-5.ch005

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Abstract

This chapter discusses issues related to two fields of knowledge: neuroesthetics and cognitive neuroscience of art. These two fields represent areas that link historically dichotomic instances: nature and culture. In the first section, the author introduces a brief discussion on this dichotomy, reified here as science and art/aesthetics. Based on a preliminary analysis of these fields, as well as potential interfaces and articulations, the author then situates neuroesthetics and cognitive science of art. In both cases, the main definitions, usual criticisms, and comments on potential expectations regarding the future of these two areas will be presented.

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