Still Forgetting: Minor Photographic Approaches to Desmemòria in the Post-Franco Era

Still Forgetting: Minor Photographic Approaches to Desmemòria in the Post-Franco Era

Mireia Ludevid Llop
ISBN13: 9781668453377|ISBN10: 1668453371|ISBN13 Softcover: 9781668453414|EISBN13: 9781668453384
DOI: 10.4018/978-1-6684-5337-7.ch005
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MLA

Llop, Mireia Ludevid. "Still Forgetting: Minor Photographic Approaches to Desmemòria in the Post-Franco Era." Handbook of Research on the Relationship Between Autobiographical Memory and Photography, edited by Mark Bruce Nigel Ingham, et al., IGI Global, 2023, pp. 108-132. https://doi.org/10.4018/978-1-6684-5337-7.ch005

APA

Llop, M. L. (2023). Still Forgetting: Minor Photographic Approaches to Desmemòria in the Post-Franco Era. In M. Ingham, N. Milic, V. Kantas, S. Andersdotter, & P. Lowe (Eds.), Handbook of Research on the Relationship Between Autobiographical Memory and Photography (pp. 108-132). IGI Global. https://doi.org/10.4018/978-1-6684-5337-7.ch005

Chicago

Llop, Mireia Ludevid. "Still Forgetting: Minor Photographic Approaches to Desmemòria in the Post-Franco Era." In Handbook of Research on the Relationship Between Autobiographical Memory and Photography, edited by Mark Bruce Nigel Ingham, et al., 108-132. Hershey, PA: IGI Global, 2023. https://doi.org/10.4018/978-1-6684-5337-7.ch005

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Abstract

In this chapter, the author explores how artistic practice can contribute to understanding the local concept of desmemòria. The forgetting that was demanded of the population of Spain during the Transition has become naturalised. The resistance to communicating and repairing the damage done to the population between 1936 and 1975 has made it difficult to revert the effects of the Pact of Forgetting, creating a compressed space for memory in the public sphere, pushing it further into the private, where it risks disappearing permanently. Through a photographic practice, the author responds to the history of the flooded village of Faió and map the territory of desmemòria and the voices found at the edge. This chapter deploys Deleuze and Guattari's minority to explore strategies of resistance and creation in the face of unmemory. Working on a family archive, the author maps the gaps that have resulted from a history of protracted silence and imagine new relationships between minority, photography, and memory.

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