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The Representation of Female Friendships on Young Women’s Myspace Profiles: The All-Female World and the Feminine ‘Other’

The Representation of Female Friendships on Young Women’s Myspace Profiles: The All-Female World and the Feminine ‘Other’

Amy Shields Dobson
Copyright: © 2011 |Pages: 27
ISBN13: 9781609602093|ISBN10: 1609602099|EISBN13: 9781609602116
DOI: 10.4018/978-1-60960-209-3.ch008
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MLA

Dobson, Amy Shields. "The Representation of Female Friendships on Young Women’s Myspace Profiles: The All-Female World and the Feminine ‘Other’." Youth Culture and Net Culture: Online Social Practices, edited by Elza Dunkels, et al., IGI Global, 2011, pp. 126-152. https://doi.org/10.4018/978-1-60960-209-3.ch008

APA

Dobson, A. S. (2011). The Representation of Female Friendships on Young Women’s Myspace Profiles: The All-Female World and the Feminine ‘Other’. In E. Dunkels, G. Franberg, & C. Hallgren (Eds.), Youth Culture and Net Culture: Online Social Practices (pp. 126-152). IGI Global. https://doi.org/10.4018/978-1-60960-209-3.ch008

Chicago

Dobson, Amy Shields. "The Representation of Female Friendships on Young Women’s Myspace Profiles: The All-Female World and the Feminine ‘Other’." In Youth Culture and Net Culture: Online Social Practices, edited by Elza Dunkels, Gun-Marie Franberg, and Camilla Hallgren, 126-152. Hershey, PA: IGI Global, 2011. https://doi.org/10.4018/978-1-60960-209-3.ch008

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Abstract

This chapter examines the representation of female friendship on MySpace, based on a sample of 45 public MySpace profiles owned by young Australian women, aged between 18 and 21 years old. Two prominent constructions of female friendship on this social network site are outlined: firstly, female friendships as idealistically party-oriented, ‘wild’, and rowdy; and secondly, female friendships as close, loyal, and intimate — comparable in the depth of feeling and connection expressed to romantic partnerships or family ties. These idealised, performative constructions of female friendship, in the context of online self-presentation, also seem to rely on exclusivity, and opposition of selves and friendship groups to a feminised outsider/‘other’. Some of the political implications of such representation are discussed from a feminist perspective. I suggest some ways in which ideals and goals of female representation to emerge from second-wave feminist media and performance critique might be said to have actualised and failed to actualise in these online performances of friendship and identity created by young women.

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