Information Retrieval Technologies and the “Realities” of Music Information Seeking

Information Retrieval Technologies and the “Realities” of Music Information Seeking

ISBN13: 9781466686595|ISBN10: 1466686596|EISBN13: 9781466686601
DOI: 10.4018/978-1-4666-8659-5.ch005
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MLA

Lavranos, Charilaos, et al. "Information Retrieval Technologies and the “Realities” of Music Information Seeking." Experimental Multimedia Systems for Interactivity and Strategic Innovation, edited by Ioannis Deliyannis, et al., IGI Global, 2016, pp. 102-121. https://doi.org/10.4018/978-1-4666-8659-5.ch005

APA

Lavranos, C., Kostagiolas, P., & Papadatos, J. (2016). Information Retrieval Technologies and the “Realities” of Music Information Seeking. In I. Deliyannis, P. Kostagiolas, & C. Banou (Eds.), Experimental Multimedia Systems for Interactivity and Strategic Innovation (pp. 102-121). IGI Global. https://doi.org/10.4018/978-1-4666-8659-5.ch005

Chicago

Lavranos, Charilaos, Petros Kostagiolas, and Joseph Papadatos. "Information Retrieval Technologies and the “Realities” of Music Information Seeking." In Experimental Multimedia Systems for Interactivity and Strategic Innovation, edited by Ioannis Deliyannis, Petros Kostagiolas, and Christina Banou, 102-121. Hershey, PA: IGI Global, 2016. https://doi.org/10.4018/978-1-4666-8659-5.ch005

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Abstract

Music information seeking incorporates the human activities that are carried out for the search and retrieval of music information. In recent years, the evolution of music technology holds a central role affecting the nature of music information seeking behavior. The research area that deals with the accessibility and the retrievability process of music information is known as Music Information Retrieval (MIR). This chapter focuses on the presentation of MIR technologies which has a direct impact in the way that individuals, as well as different music communities such as composers, performers, listeners, musicologists, etc., handle and utilize music information. The aim of this chapter is to investigate the way different music communities interact with MIR systems. Our approach is based on a selected literature review regarding the MIR systems and the information seeking behavior of the musicians.

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