Exploring the Liminal between the Virtual and the Real

Exploring the Liminal between the Virtual and the Real

Copyright: © 2015 |Pages: 12
ISBN13: 9781466686793|ISBN10: 1466686790|EISBN13: 9781466686809
DOI: 10.4018/978-1-4666-8679-3.ch005
Cite Chapter Cite Chapter

MLA

Harrison, Dew. "Exploring the Liminal between the Virtual and the Real." Analyzing Art, Culture, and Design in the Digital Age, edited by Gianluca Mura, IGI Global, 2015, pp. 51-62. https://doi.org/10.4018/978-1-4666-8679-3.ch005

APA

Harrison, D. (2015). Exploring the Liminal between the Virtual and the Real. In G. Mura (Ed.), Analyzing Art, Culture, and Design in the Digital Age (pp. 51-62). IGI Global. https://doi.org/10.4018/978-1-4666-8679-3.ch005

Chicago

Harrison, Dew. "Exploring the Liminal between the Virtual and the Real." In Analyzing Art, Culture, and Design in the Digital Age, edited by Gianluca Mura, 51-62. Hershey, PA: IGI Global, 2015. https://doi.org/10.4018/978-1-4666-8679-3.ch005

Export Reference

Mendeley
Favorite

Abstract

The creative application of digital technologies is accelerating as artists, designers and technologists continue to experiment and explore ways to create new aesthetic fields, semantically enhanced communication and innovative relations between people and machines. Our virtual worlds meet the real material world through the interdisciplinary research of computer scientists, digital media technologists, artists, designers and culture theorists. This chapter explores ways of bringing the virtual to the real through a range of differing conceptual positions and research approaches while demonstrating the creative interplay of variable media and online platforms for producing liminal works which cross the boundary between the analogue and the digital. The intent is to provide insights and examples of creative practice employing new technologies in innovative and unusual ways to generate exciting new work and offer new pathways for digital media research and development. The chapter presents relevant theoretical frameworks and examples of current practice in the area of digitally enabled transitional spaces for artists, theorists and curators, as well as researchers working both in the field and beyond to those working with new technologies, social media platforms, and digital/ material culture.

Request Access

You do not own this content. Please login to recommend this title to your institution's librarian or purchase it from the IGI Global bookstore.