Urban Nepali Women and Experiences of Love, Intimate Relations, and Media

Urban Nepali Women and Experiences of Love, Intimate Relations, and Media

Nemu Joshi
ISBN13: 9781522502791|ISBN10: 1522502793|EISBN13: 9781522502807
DOI: 10.4018/978-1-5225-0279-1.ch002
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MLA

Joshi, Nemu. "Urban Nepali Women and Experiences of Love, Intimate Relations, and Media." Revealing Gender Inequalities and Perceptions in South Asian Countries through Discourse Analysis, edited by Nazmunnessa Mahtab, et al., IGI Global, 2016, pp. 20-40. https://doi.org/10.4018/978-1-5225-0279-1.ch002

APA

Joshi, N. (2016). Urban Nepali Women and Experiences of Love, Intimate Relations, and Media. In N. Mahtab, S. Parker, F. Kabir, T. Haque, A. Sabur, & A. Sowad (Eds.), Revealing Gender Inequalities and Perceptions in South Asian Countries through Discourse Analysis (pp. 20-40). IGI Global. https://doi.org/10.4018/978-1-5225-0279-1.ch002

Chicago

Joshi, Nemu. "Urban Nepali Women and Experiences of Love, Intimate Relations, and Media." In Revealing Gender Inequalities and Perceptions in South Asian Countries through Discourse Analysis, edited by Nazmunnessa Mahtab, et al., 20-40. Hershey, PA: IGI Global, 2016. https://doi.org/10.4018/978-1-5225-0279-1.ch002

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Abstract

Focusing on the influence of media, this chapter explores a variety of gender practices in the era of globalisation. This chapter explores how urban Nepali women constantly negotiate between global flows and local context and the effects of this negotiation on their gender roles, and on their familial and intimate relationships. The chapter analyses the ways media, especially Indian visual media, which is a common source of discussion among urban women, is affecting them and their daily lives. Examining the importance of visual media, films and television in directing new identities and implications of gender roles and intimate relationships, this chapter explores ways urban women of Nepal are negotiating their gender relations and intimate lives in relation to the binary of ‘cultural practices' and ‘modernity' through watching Indian visual media.

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