The Benefit of Imitation for Creativity in Art and Design: The Cases of Gerhard Richter and J Mays

The Benefit of Imitation for Creativity in Art and Design: The Cases of Gerhard Richter and J Mays

Laurens Rook
ISBN13: 9781522505044|ISBN10: 1522505040|EISBN13: 9781522505051
DOI: 10.4018/978-1-5225-0504-4.ch014
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MLA

Rook, Laurens. "The Benefit of Imitation for Creativity in Art and Design: The Cases of Gerhard Richter and J Mays." Exploring the Benefits of Creativity in Education, Media, and the Arts, edited by Nava R. Silton, IGI Global, 2017, pp. 305-326. https://doi.org/10.4018/978-1-5225-0504-4.ch014

APA

Rook, L. (2017). The Benefit of Imitation for Creativity in Art and Design: The Cases of Gerhard Richter and J Mays. In N. Silton (Ed.), Exploring the Benefits of Creativity in Education, Media, and the Arts (pp. 305-326). IGI Global. https://doi.org/10.4018/978-1-5225-0504-4.ch014

Chicago

Rook, Laurens. "The Benefit of Imitation for Creativity in Art and Design: The Cases of Gerhard Richter and J Mays." In Exploring the Benefits of Creativity in Education, Media, and the Arts, edited by Nava R. Silton, 305-326. Hershey, PA: IGI Global, 2017. https://doi.org/10.4018/978-1-5225-0504-4.ch014

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Abstract

Many artists and designers borrow, cite, or seek inspiration in external source materials in their daily creative practice. The aim of this chapter is to show that imitation of external source material offers creative professionals the opportunity to introduce an element of surprise to the creative act, which may explain why a creative product with very little or no originality whatsoever can nevertheless gain reputation as being creative. The literature on imitation in psychology and the humanities will be reviewed in parallel to a recent suggestion in creativity research to give more prominence to the criterion of surprise in the study of creativity. The potential benefit of imitation for creativity in art and design will be illustrated with a description of the working practices of the prominent painter Gerhard Richter and the famous car designer J Mays – two contemporary creative professionals renowned for usage of external source material in their own creative work.

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