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Ambivalent Interplay

Ambivalent Interplay

Heejoo Kim
Copyright: © 2009 |Pages: 16
ISBN13: 9781605663524|ISBN10: 1605663522|EISBN13: 9781605663531
DOI: 10.4018/978-1-60566-352-4.ch009
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MLA

Kim, Heejoo. "Ambivalent Interplay." Handbook of Research on Computational Arts and Creative Informatics, edited by James Braman, et al., IGI Global, 2009, pp. 146-161. https://doi.org/10.4018/978-1-60566-352-4.ch009

APA

Kim, H. (2009). Ambivalent Interplay. In J. Braman, G. Vincenti, & G. Trajkovski (Eds.), Handbook of Research on Computational Arts and Creative Informatics (pp. 146-161). IGI Global. https://doi.org/10.4018/978-1-60566-352-4.ch009

Chicago

Kim, Heejoo. "Ambivalent Interplay." In Handbook of Research on Computational Arts and Creative Informatics, edited by James Braman, Giovanni Vincenti, and Goran Trajkovski, 146-161. Hershey, PA: IGI Global, 2009. https://doi.org/10.4018/978-1-60566-352-4.ch009

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Abstract

The human vision, the most ubiquitous receptor of the human senses, has been the prevailing sensory organ for a noticeable manifestation of visual arts. Nevertheless, in the aspect of new technology art, the embodied experience through senses dismantled and amalgamated in hybrid aspects. Explicitly, new media artists perceive that interactive technology is evolving rapidly in such a short period of time. Rather than engaging in technology more interactively, however, it seems they are scrutinizing the subsequent progression of the phenomenon in interactive art. Artistic experiments have predominantly been transferred through the human sensorium in interlaced approaches: touch, sight, smell and hearing have synesthetic qualities in their interactive connections in between works and viewers. Recently digital art performs in multi sensory forms of knowing and communicating. There are investigating perceptual and emotional mechanisms of involuntary synesthetic experiences. This artistic phenomenon is not only historically intriguing, but may also contribute to present synesthesia research. The functions and interrelations of the synesthetic approaches in new media arts and neurological researches are discussed separately.

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