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The Aesthetic of New Media and Communication Devices in Film and Television Language

The Aesthetic of New Media and Communication Devices in Film and Television Language

Alberto Hermida
Copyright: © 2020 |Pages: 14
ISBN13: 9781799831198|ISBN10: 1799831191|EISBN13: 9781799831204
DOI: 10.4018/978-1-7998-3119-8.ch001
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MLA

Hermida, Alberto. "The Aesthetic of New Media and Communication Devices in Film and Television Language." Handbook of Research on Transmedia Storytelling, Audience Engagement, and Business Strategies, edited by Víctor Hernández-Santaolalla and Mónica Barrientos-Bueno, IGI Global, 2020, pp. 1-14. https://doi.org/10.4018/978-1-7998-3119-8.ch001

APA

Hermida, A. (2020). The Aesthetic of New Media and Communication Devices in Film and Television Language. In V. Hernández-Santaolalla & M. Barrientos-Bueno (Eds.), Handbook of Research on Transmedia Storytelling, Audience Engagement, and Business Strategies (pp. 1-14). IGI Global. https://doi.org/10.4018/978-1-7998-3119-8.ch001

Chicago

Hermida, Alberto. "The Aesthetic of New Media and Communication Devices in Film and Television Language." In Handbook of Research on Transmedia Storytelling, Audience Engagement, and Business Strategies, edited by Víctor Hernández-Santaolalla and Mónica Barrientos-Bueno, 1-14. Hershey, PA: IGI Global, 2020. https://doi.org/10.4018/978-1-7998-3119-8.ch001

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Abstract

The establishment of mobile media and the development of Web 2.0, in parallel to the current omnipresence of user interfaces and the multiscreen landscapes, have led to the consolidation of changes in all spheres of life. Subsequently, and due to the hybridization and remediation processes inherent to the digital environment, the more conventional media have been considerably affected by these transformations in the media ecosystem. Accordingly, this chapter examines the influences and formal loans in film and television language by analyzing the aesthetic transfers occurring in fiction and non-fiction.

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