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Illustration as a Visual Communication Culturel Product Aesthetic Line in Visual Representation

Illustration as a Visual Communication Culturel Product Aesthetic Line in Visual Representation

ISBN13: 9781799846550|ISBN10: 1799846555|EISBN13: 9781799846567
DOI: 10.4018/978-1-7998-4655-0.ch007
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MLA

Demir, Tuğba. "Illustration as a Visual Communication Culturel Product Aesthetic Line in Visual Representation." Handbook of Research on Aestheticization of Violence, Horror, and Power, edited by M. Nur Erdem, et al., IGI Global, 2021, pp. 119-140. https://doi.org/10.4018/978-1-7998-4655-0.ch007

APA

Demir, T. (2021). Illustration as a Visual Communication Culturel Product Aesthetic Line in Visual Representation. In M. Erdem, N. Kocabay-Sener, & T. Demir (Eds.), Handbook of Research on Aestheticization of Violence, Horror, and Power (pp. 119-140). IGI Global. https://doi.org/10.4018/978-1-7998-4655-0.ch007

Chicago

Demir, Tuğba. "Illustration as a Visual Communication Culturel Product Aesthetic Line in Visual Representation." In Handbook of Research on Aestheticization of Violence, Horror, and Power, edited by M. Nur Erdem, Nihal Kocabay-Sener, and Tuğba Demir, 119-140. Hershey, PA: IGI Global, 2021. https://doi.org/10.4018/978-1-7998-4655-0.ch007

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Abstract

The formal setup of this study is primarily based on the connection between visuality, visual communication, and visual culture. Subsequently, information is given about illustration as a visual culture product. How illustrations focusing on the problems of the modern world can present a visual message with aggressive drawings will be analyzed through examples and shown. This study deals with the representation of the image through representation and explores the meaning behind the depiction of the messages to be conveyed through illustration in visual communication. The illustration chosen for limiting the study focuses on the problems of the modern world and conveys the focus on the subject with a critical line in the reflection of aggressive linear violence.

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