Digitization of Cultural Heritage: The Farnese Theatre in Parma

Digitization of Cultural Heritage: The Farnese Theatre in Parma

Andrea Zerbi, Sandra Mikolajewska
ISBN13: 9781668448540|ISBN10: 1668448548|EISBN13: 9781668448557
DOI: 10.4018/978-1-6684-4854-0.ch018
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MLA

Zerbi, Andrea, and Sandra Mikolajewska. "Digitization of Cultural Heritage: The Farnese Theatre in Parma." Handbook of Research on Implementing Digital Reality and Interactive Technologies to Achieve Society 5.0, edited by Francesca Maria Ugliotti and Anna Osello, IGI Global, 2022, pp. 416-447. https://doi.org/10.4018/978-1-6684-4854-0.ch018

APA

Zerbi, A. & Mikolajewska, S. (2022). Digitization of Cultural Heritage: The Farnese Theatre in Parma. In F. Ugliotti & A. Osello (Eds.), Handbook of Research on Implementing Digital Reality and Interactive Technologies to Achieve Society 5.0 (pp. 416-447). IGI Global. https://doi.org/10.4018/978-1-6684-4854-0.ch018

Chicago

Zerbi, Andrea, and Sandra Mikolajewska. "Digitization of Cultural Heritage: The Farnese Theatre in Parma." In Handbook of Research on Implementing Digital Reality and Interactive Technologies to Achieve Society 5.0, edited by Francesca Maria Ugliotti and Anna Osello, 416-447. Hershey, PA: IGI Global, 2022. https://doi.org/10.4018/978-1-6684-4854-0.ch018

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Abstract

Cultural heritage represents the identity of people and, as such, is a fundamental element of our lives. The numerous projects carried out in recent years in the field of CH digitization have shown that the operation of dematerialization may be considered an essential tool for its preservation, conservation, and enhancement. Since advanced technology allows to valorize artifacts and bring a positive impact on the people's life to whom they belong, in the context of Society 5.0 it can be considered as a key tool. Starting from the analysis of the state of the art in the field of digitization, the main goal of the present study is to investigate the role that this process can take on within the complex process of valorization of monuments. To this aim, a research carried out on the Farnese Theatre will be illustrated. Particular attention will be paid to the methodological choices made for the creation of an extremely versatile three-dimensional model and for its possible uses.

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