Welcome to the InfoSci Platform
Mapping Culture and Compromised Art in the Era of Globalization

Mapping Culture and Compromised Art in the Era of Globalization

Paula Tavares, Maria João Félix, Pedro Mota Teixeira
Copyright: © 2012 |Volume: 3 |Issue: 1 |Pages: 12
ISSN: 1947-9131|EISSN: 1947-914X|EISBN13: 9781466612075|DOI: 10.4018/jep.2012010104
Cite Article Cite Article

MLA

Tavares, Paula, et al. "Mapping Culture and Compromised Art in the Era of Globalization." IJEP vol.3, no.1 2012: pp.42-53. http://doi.org/10.4018/jep.2012010104

APA

Tavares, P., Félix, M. J., & Teixeira, P. M. (2012). Mapping Culture and Compromised Art in the Era of Globalization. International Journal of E-Politics (IJEP), 3(1), 42-53. http://doi.org/10.4018/jep.2012010104

Chicago

Tavares, Paula, Maria João Félix, and Pedro Mota Teixeira. "Mapping Culture and Compromised Art in the Era of Globalization," International Journal of E-Politics (IJEP) 3, no.1: 42-53. http://doi.org/10.4018/jep.2012010104

Export Reference

Mendeley
Favorite Full-Issue Download

Abstract

This work presents an analysis of the cultural and artistic field, positively compromised with social and political questions. The authors start with the categorization of the idea of culture and move to vindication art movements. These movements, which followed the first vanguards and worked from the compromise with “otherness”, are at the origin of the contemporary denomination of political art. In this context, the authors approach the origins of activist art, referring to issues of gender, multiculturalism, globalization, and poverty. The different forms of presenting content are also an object of analysis: from art tradition to the contamination of daily life, from local to global, from street contact to digital.

Request Access

You do not own this content. Please login to recommend this title to your institution's librarian or purchase it from the IGI Global bookstore.