Neolithic: Separation and War

Neolithic: Separation and War

ISBN13: 9781799817062|ISBN10: 1799817067|ISBN13 Softcover: 9781799817079|EISBN13: 9781799817086
DOI: 10.4018/978-1-7998-1706-2.ch006
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MLA

Yury N. Kovalyov, et al. "Neolithic: Separation and War." Self-Organization of the Human Mind and the Transition From Paleolithic to Behavioral Modernity, IGI Global, 2020, pp.138-162. https://doi.org/10.4018/978-1-7998-1706-2.ch006

APA

Y. Kovalyov, N. Mkhitaryan, & A. Nitsyn (2020). Neolithic: Separation and War. IGI Global. https://doi.org/10.4018/978-1-7998-1706-2.ch006

Chicago

Yury N. Kovalyov, Nver M. Mkhitaryan, and Alexander Yu. Nitsyn. "Neolithic: Separation and War." In Self-Organization of the Human Mind and the Transition From Paleolithic to Behavioral Modernity. Hershey, PA: IGI Global, 2020. https://doi.org/10.4018/978-1-7998-1706-2.ch006

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Abstract

The examples of Neolithic paintings created on different continents are given. Particular attention is paid to clarifying the dating and identification of paintings. Other types of artistic and production activities of people are considered, as well as data on their social, religious, and cultural achievements. Along with the well-known galleries of Neolithic painting in Tassili (Algeria) and the Spanish Levant, the lesser-known ones, in particular, the Stone Grave (Ukraine), are considered. Changes to the World Tree myth in the Neolithic are closely related to the cult of the dead. The correlations of markers and the state of levels and channels of subjective space are determined. A generalized psychological portrait of a man of the Neolithic epoch is compiled, and his behavioral patterns are described.

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