The philosophical and political context underpinning the creation of free software, and the subjective sense of community shared by developers and users.
Published in Chapter:
Social Technologies and the Digital Commons
Francesca da Rimini (University of Technology, Sydney, Australia)
Copyright: © 2007
|Pages: 21
DOI: 10.4018/978-1-59140-999-1.ch005
Abstract
This chapter investigates the premise that software is culture. It explores this proposition through the lens of peer production, of knowledge-based goods circulating in the electronic space of a digital commons, and the material space of free media labs. Computing history reveals that technological development has typically been infl uenced by external sociopolitical forces. However, with the advent of the Internet and the free software movement, such development is no longer solely shaped by an elite class. Dyne:bolic, Streamtime and the Container Project are three autonomously-managed projects that combine social technologies and cooperative labour with cultural activism. Innovative digital staging platforms enable creative expression by marginalised communities, and assist movements for social change. The author fl ags new social relations and shared social imaginaries generated in the nexus between open code and democratic media. In so doing the author aims to contribute tangible, inspiring examples to the emerging interdisciplinary fi eld of software studies.“Humanity’s capacity to generate new ideas and knowledge is its greatest asset. It is the source of art, science, innovation and economic development. Without it, individuals and societies stagnate. This creative imagination requires access to the ideas, learning and culture of others, past and present” (Boyle, Brindley, Cornish, Correa, Cuplinskas, Deere, et al., 2005)