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What is New Museology

Handbook of Research on Heritage Management and Preservation
The term refers to a new approach to museum practice that appeared at the end of the 1980s. New Museology reflects a greater awareness of the social and political role of museums and encompasses meaningful community participation in curatorial practices.
Published in Chapter:
Revitalising the South African Museum Sector: New Museological Trends
Helene Vollgraaff (University of South Africa, South Africa)
Copyright: © 2018 |Pages: 24
DOI: 10.4018/978-1-5225-3137-1.ch018
Abstract
The chapter discusses the South African museum sector in terms of changing museum functions as well as museum management. The research findings confirm the perception of a sector in crisis. Museum professional associations do not have the capacity to promote a professional museum service. Though there are museum professionals that keep up to date with museological trends and technology, a picture is painted of museums not supported by government departments, debilitating bureaucratic structures that hamper creativity and responsiveness to public demands, institutional performance structures that direct museums away from museum functions, problematic recruitment practices, and problematic models assessing the value of museums. Research is based on literature study, a review of the South African Museums Association Bulletin (SAMAB), a peer-reviewed journal dealing with museum matters, an analysis of policy recommendations of museum professional associations and interviews with the museum association leadership.
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Using New Tools to Attract Visitors to Museums and Heritage Sites
A new approach to museum practice that began in the late 1980s which considered the role of museums in wider social and political processes, aiming to become more inclusive and accessible and placing visitors at the centre of experience creation.
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Storytelling and Experience Design in Heritage Tourism
A management approach that has emerged within the museum sector aiming to provide visitors with more participative, interactive, and engaging museum experiences. This approach runs counter to the traditional approach, which favors a one-directional transmission of information to visitors and the continuation of an authorized heritage discourse.
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