Contemporary Trends of the Bead Jewelry Industry in Ghana: A Case Study of the Krobo

Contemporary Trends of the Bead Jewelry Industry in Ghana: A Case Study of the Krobo

Adeline Baidoo, John Benjamin Aidoo, Kennedy Asenso
Copyright: © 2022 |Pages: 26
DOI: 10.4018/IJACDT.313934
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Abstract

This Krobo case study traces the history and looks into current trends in Ghana's bead industry in the jewelry sector and the reasons for the renewed interest in the usage of bead jewelry. It traces the historical and contemporary trends of the Krobo bead jewelry industry as well as the causes of the sudden renewed interest and enthusiasm for bead production and usage among the people of Ghana by studying responses from 20 select participants using a qualitative research approach. Exposure to the Western world, bead jewelry in schools, the introduction of new equipment and technology, and current fashion among men and women are all factors that contribute to modern trends and renewed interest in Ghana's bead jewelry industry. Furthermore, various foreign beads are becoming more widely available in Ghana, overtaking locally produced Krobo beads. As a result of the increased demand for assorted beads, measures are needed to prevent indigenous beads from disappearing from culture.
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Introduction

Natural beads made of shells, stones, and bauxite have been unearthed in Ghana and dated to around 1450 B.C.E. (Kumekpor et al., 1995; Ndaa et al., 2021). Beads were originally constructed of natural materials, but glass beads were introduced by European traders in exchange for slaves, salt, gold, and spices. Krobo, an area in the Eastern Region, is one of Africa’s largest manufacturers of glass beads. John Barbot reported bead manufacturing in Ghana for the first time in 1764. Glass beading did not become generally available until the 1800s, when mass manufacture of beads began (Agyemang et al., 2019). Krobo residents are now prominent glass bead makers in Ghana, in West Africa. The Krobo make glass beads from finely ground glass, with broken and useless bottles and other trash glasses serving as the primary supply. Fused glass fragment beads are created by fusing big bottle glass or glass bead shards together. Mue ne Angma, or writing beads, are traditional glass beads with glass slurry designs that are inscribed before being fused in a second fire. In Ghana, bead jewelry is a labor-intensive procedure, and because many beads are hand-made, individual beads vary in appearance, even within a single string (Saitowitz, 1996).

Statement of the Problem

In recent years, new glass bead forms and processes have largely replaced long-established powder-glass design approaches, resulting in major changes in bead output and consumption. Beads are being worn by an increasing number of Ghanaians. Both men and women wear beads for a variety of occasions, including weddings, funerals, parties, and church activities (Burch, 2000). Beads from several countries have been mixed in with Krobo beads. Tracing the historical and the contemporary trends of the Krobo bead jewelry industry, as well as the causes of the sudden renewed interest and enthusiasm on the bead production and usage among the people of Ghana.

Research Questions

  • 1.

    What are the historical and contemporary trends of the Krobo bead jewelry industry?

  • 2.

    Why is there a sudden renewed interest and enthusiasm for bead production and use among Ghanaians?

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